Free Ebook 1Q84 (Vintage International)
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1Q84 (Vintage International)
Free Ebook 1Q84 (Vintage International)
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- Published on: 1800
- Binding: Paperback
Most helpful customer reviews
0 of 0 people found the following review helpful.
Imaginative, unique, wonderful journey!
By ViveElan
This book grabbed you from the first sentence. I can't understand why people said it was drudgery- I would get to the end of a chapter and be devastated that we were changing perspectives but then get just as wrapped up in that chapter. I loved the characters, I loved the premise. I couldn't wait to see what would happen and in the end he left us with so many more questions: Why did the little people come out of Ushikawa and build an air chrysalis? Why was the Epson tiger facing the wrong way? Why didn't they go to Tengo's 1984 apartment or to the dowager? Why was Aomame in the air chyrsalis? Why did the Sakigake still want Aomame-did they want the baby? Was Fuki-Eri Aomame's Dohta? Its so cool that Tengo's father knocked on Aomame and Ushikawa's doors while he was in the coma? The ending was satisfying and romantic and thoughtful. An excellent, excellent journey. Haruki Murakami you've got a lifelong fan!!!!! This was such an interesting, captivating, unique story. An over-the-moon favorite an ironically appropriate label. I can't wait to read more of Haruki Murakami!
7 of 7 people found the following review helpful.
It Always Feels Like Something is About to Happen and It Never Does...Or Does It?
By Michele Kingery
...maybe, but not always in the way you expect. Murakami's novels are compulsively readable because of a kind of David Lynchian tension that underpins everything. But does anything ever actually happen?
It depends.
The best way to experience Murakami's writing is to suspend your skepticism, ditch your expectations and drop into his world. Like water, his words flow and meander, assuming the shape of whatever vessel contains them. Let them pour over you. Absorb them. Release yourself from the confines of the traditional narrative where every plot has turning points that appear at set places in the structure.
Years ago I read Sputnik Sweetheart and am still not completely sure what it all meant. But I'm still thinking about it. How many other books can I honestly say that about??
In straightforward, unadorned language, Murakami will tell you a story. Your presence is all that is required. In 1Q84, Aomame exits a taxi and enters an alternate universe. If you allow yourself to experience Murakami, you will do the same.
PS:
(from the NY Times):
"For his article on novelist Haruki Murakami, Sam Anderson visited some key places from Murakami's life and work." Google "Murakami's Tokyo" in the Times. Anderson's article will take you to several locations in 1Q84 including:
The Metropolitan Expressway 3 where Aomame exits the taxi in the opening scene of the novel
The Prada store where Aomame buys some "killer clothes"
Nakamuraya Caf�, where characters meet and coverse
You can also visit Kinokuniya Books where Murakami purchased the supplies to begin writing his first book, Kanagawa Prefecture, where he lives part time and the baseball stadium where he got the idea for his first book.
0 of 0 people found the following review helpful.
That’s what the world is, after all; an endless battle of contrasting memories.
By Phillip McCollum
I don’t mind usurping another reviewer’s thoughts when they strike a chord, so I’ll shamelessly steal the idea that this is Murakami’s marathon novel. The man writes and runs, so at 1,157 pages, 1Q84 appears to be a fusion of the two. Running a marathon takes endurance, writing a literary equivalent takes endurance, and finally reading the result takes endurance. Such a book is asking a lot from everyone involved, and with that in mind, I feel some slack should be cut. There will be stumbles, scraped knees, and moments of sheer monotony. But there will also be moments of zen, cheering onlookers, and the unbeatable feeling of having crossed the finish line.
1Q84, much as the “Q” suggests, leaves the reader with several unanswered questions. When reviewing a book, the question(!) is: Does the book leave the most important question unanswered? Sure, take a few potshots at those fourth and fifth stars for riling up your interest in the peripheral stuff and leaving you hanging. That’s fair. But overall, can you answer someone when they ask, “What’s that book about?”
Murakami introduces all sorts of fantastical elements in this story – chrysalises that are spun out of air, strange inter-dimensional “Little People” that are up to no good, and a disembodied consciousness that knocks on doors demanding people pay for their public television. Though these strands intrigue the reader and some may feel slighted by Murkami’s lack of follow-through, they exist at the margins of the real story–the idea that pure love transcends anything this crazy universe throws at it. Destiny is destiny up to a certain point, but people have the ability to control the most important parts of their lives.
Did Murakami need over a thousand pages to tell this story? Who’s to say? It was his story to tell. If we grow tired of the seemingly endless prose, maybe that should reflect more on personal tastes than the book before us.
I’ve noticed a lot of people don’t recommend 1Q84 for a first-time Murakami reader. It probably shouldn’t be if you don’t know what to expect, but I find myself looking forward to reading more of his work.
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