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Studienarbeit aus dem Jahr 2006 im Fachbereich Romanistik - Italienische u. Sardische Sprache, Literatur, Landeskunde, Note: 1,3, Universit�t zu K�ln, Veranstaltung: Lyrik der Renaissance, 16 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Diese Arbeit wird zeigen, dass Petrarcas Canzoniere ein narzisstisches Werk ist, dessen Hauptthematik die Seelenverfasstheit des lyrischen Ichs und die Selbststilisierung des Dichters Francesco Petrarca umfasst. Die Liebe zu Laura dient dabei lediglich als Deckmantel der – damals als s�ndhaft geltenden – Ruhmsucht, sowie als Point de D�part f�r ein in Wahrheit streng durchkomponiertes �sthetisches Werk, mit dem sich Petrarca deutlich von den im Mittelalter vorherrschenden Liebesdiskursen zu distanzieren vermag. Im Folgenden werde ich eruieren, wie die Figur der Laura und die scheinbar unerf�llte Liebe zu ihr als Instrument der Selbstinszenierung geschickt eingesetzt werden, ohne welches Petrarca das Streben nach Gloria nicht in diesem Ma�e h�tte entfalten k�nnen.
Dazu werde ich zun�chst auf die Entstehung der Laura eingehen, die bereits im Secretum als auch im Bucolicum Carmen erw�hnt wird, und sowohl ihr Erscheinen als auch ihre Funktion im Canzoniere detailliert analysieren. Im Anschluss daran werde ich anhand von Beispieltexten Petrarcas Egozentrismus durch die affetti contrari demonstrieren, sowie die Rahmenkonzeption des Canzoniere genauer beleuchten, bei der wir eine deutliche Akzentuierung der Gloria im In Morte Teil vorfinden werden. Abschlie�end werde ich Petrarca kurz im Kontext anderer literarischer Liebeskonzeptionen seiner Zeit, respektive der provenzalischen Troubadourslyrik, der Scuola Siciliana und des Dolce Stil Novo, situieren und zeigen, dass Petrarcas Narzissmus und seine Selbststilisierung im Canzoniere ihn als Wegbereiter einer neuen Epoche, des Rinascimento, auszeichnen.
- Sales Rank: #3824995 in eBooks
- Published on: 2008-05-20
- Released on: 2008-05-20
- Format: Kindle eBook
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