Selasa, 21 Oktober 2014

[W641.Ebook] Download Revision Notes for MCEM Part B (Oxford Specialty Training: Revision Texts), by Victoria Stacey

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Revision Notes for MCEM Part B (Oxford Specialty Training: Revision Texts), by Victoria Stacey

This is the only book that MCEM candidates will need to pass the MCEM Part B exam. This revision guide is framed around the most recent CEM syllabus, focusing on all the components of the exam. Each section of the book is tailored to match different elements of the syllabus, allowing candidates to revise efficiently and comprehensively.

This concise revision tool is completely up-to-date, reflecting the latest developments in the examination. High quality artwork and a bullet-point style help candidates to absorb information quickly. It also includes over 35 short answer questions enabling candidates to gain invaluable exam practice. Exam tips are included throughout the book to help candidates improve their exam technique.

  • Sales Rank: #2128129 in Books
  • Published on: 2012-09-29
  • Released on: 2012-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.40" w x 9.00" l, 2.34 pounds
  • Binding: Paperback
  • 696 pages

About the Author

Victoria Stacey has been a Consultant in Emergency Medicine at Cheltenham General Hospital since August 2009. She passed the MCEM examination in 2004 and the FCEM examination in 2008. She trained as a Specialist Registrar in the Oxford Deanery and during that time ran a revision course for the MCEM part B and C examinations. She has prepared hundreds of candidates for the MCEM examination as part of teaching on the revision course and in her role as an Educational Supervisor. She has experienced firsthand the problem many candidates have of finding resources to help prepare for the exams and have been asked numerous times to recommend books that candidates can use to revise. She wrote the revision guide for the MCEM Part B examination to help address this need. In writing the revision guide she has tried to create the book she wished she had when preparing for the MCEM and FCEM examinations.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent review
By Dad
I have just started reading this book, so far looks very simple and easy to memorize. Flow chart and tables are well constructed and SAQ at the end of chapter are bonus.I hope this will fulfill the purpose to pass MCEM B in first attempt :)
I would have given it five, but quality of printing needs to improve as there are no color diagrams in the book.

0 of 0 people found the following review helpful.
not completely complete
By Dr. Dev Patel
Needs more informative ... Also the kindle version doesn't have page flip option.
Hope the apple version comes out with more better outlook.

0 of 0 people found the following review helpful.
Five Stars
By Simon A Newman
Awesome. Get it.

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Senin, 20 Oktober 2014

[L573.Ebook] Download Great Perfection: - The Essence of Pure Spirituality, by Tenzin Rinpoche Shyalpa

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Some time ago, while living in the beautiful Berkshire Hills of Massachusetts, His Eminence Shyalpa Tenzin Rinpoche practiced retreat, and in between sessions of meditation he studied and contemplated Th e Precious Treasury of Phenomenal Space, by Kunkhyen Longchenpa. It was at this time that Rinpoche first had the pure aspiration to translate this precious text for the benefit of English-speaking students and for all those of good fortune who find profound meaning and true value in the golden lineage of Dzogchen, the Great Perfection. It is said that Longchenpa's masterful works on the Great Perfection can bestow real blessings and realizations just by reading or hearing his visionary words. In terms of practicing the Great Perfection, Shyalpa Tenzin Rinpoche oft en says, "Longchenpa's teachings are all you need!" Over twenty years later, aft er intensive collaborative work with his disciples, Rinpoche's aspiration is fulfilled with the release of this glorious text, The Precious Treasury of Phenomenal Space. Th e book is ornamented with a jewel at the beginning, Calling the Lama from Afar: Th e Excellent Path of Supreme Great Bliss by His Holiness Chatral Rinpoche, and another jewel at the end, From the Heart Essence of the Great Expanse: Th e Most Secret Guru Yoga Having the Seal of the Essence by Kunkhyen Jigme Lingpa. May the wisdom, compassion, and powerful blessings embodied in these sacred teachings spread to the ends of the earth, and may all those who have a meaningful connection with these texts find ultimate realization in the state of Samantabhadra!

  • Sales Rank: #1187868 in Books
  • Published on: 2014-12-01
  • Binding: Paperback
  • 216 pages

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21 of 21 people found the following review helpful.
A Beautiful Edition of Longchenpa's Classic
By applewood
This is the first English translation of Longchenpa's seminal "Precious Treasury of Basic Space" that has been done and published by a Tibetan lama. And even though I'm tempted to read it in comparison to the other versions currently available (Barron and Dowman translations) I feel it is much better to approach it with fresh eyes and heart. And I find I like it very much!

All three texts in this book are presented in both the Tibetan (on one side of the page) along with the English translation. The bulk is Longchenpa's text (p. 30-161), but it is nicely framed with a prayer of invocation "Calling the Lama from Afar", by Chatral Rinpoche, at the start (p. 16-27), and a short guru yoga sadhana by Jigme Lingpa at the end (p. 164-177). Also included are the brief preface and forward, and the very detailed glossary (p. 179-210) and endnotes (p. 211-216).

There are a couple of things I really like about this Vajra Books edition - besides the way it is presented with quality layout and binding - they are the lineage picture on p.13 which shows a thangka of the author's 16 teachers with realistic smiling portraits, and the complete simplicity of the translation.

As this most wonderful of Longchenpa's works begins...

"Without searching or striving is the simply natural expanse,
Primordially pervasive and sublime - listen, I will elucidate.
The spontaneously accomplished expanse is the basis for the origination of everything.
Its essence is empty, and its nature is unobstructed,
So that nothing exists, but everything is manifest.
From the expanse of the three kayas, samsara and nirvana are self-arising,
But not moved from space, the nature of phenomena, the field of bliss.
In the sky-like continuum, the unchanging great expanse of mind itself,
Intermittent play, the miraculous expanse of compassion,
Is nothing other than adornment of space...."

12 of 12 people found the following review helpful.
Compelling Ancient Writings Poetically Translated
By Book Drawn
Here is a work that will leave you feeling you have been in the presence of great masters, in awe yet uncertain what has been said. It’s as if listening to a series of great arias as the authors climb to the greatest heights. There are three distinct sections, by three authors, all of them famous in the Dzogchen tradition of Buddhism. The three are Chatralwa Sangye Dorie (In the first section; Calling the Lama from Afar), Longchen Rabjam commonly called Longchenpa (In the second section; The Precious Treasury of Phenomenal Space), and Jingme Lingpa (In the third section; The Heart Essence of the Great Expanse). The first appears a cry for help to escape the suffering of samsara, the second a path into the ultimate reality, the third resting in that reality itself. Here is described what some call the highest practice, Ati.

Don’t start with this book, expecting to come away with an understanding of Dzogchen practice. There are other places to begin that quest. Here you must simply imbibe and let the senses respond. That’s right, simply listen, and after a first reading you may find yourself saying, I’m not sure what I just experienced, but it has left me in awe and with a lingering sense of bliss.

Glossary and footnotes seem a distraction, like trying to read the program in a dark theatre during a great performance. That’s why this book should be read more than once. At first enjoy the performance, and then try to figure it out if you must. Here is a work that in its very nature cries out to be experienced over and over, and then perhaps understood, but even then only on a non-intellectual basis. The text itself is 162 pages, but that number is cut in half by the original Tibetan set opposite the English. Savor the 81 pages of poetic translation. Just the poetic nature justifies putting this book near the top of your must read list, but you may find yourself receiving much more.

3 of 3 people found the following review helpful.
Compassionate mind?
By Yoga sattva
A valuable anthology of seminal Dzogchen scriptures. I only have one criticism and that is Rinpoche's translation of the word "bodhicitta" (byang chub sems). He translates it "compassionate mind", which is far away from the meaning of the word "bodhicitta" which literally means "mind of enlightenment", and no closer to the Tibetan form, byang chub sems, which literally means "pure and total mind".

How does Rinpoche come to translate "mind of enlightenment" and "pure and total mind" as "compassionate mind"? It's as if he were translating a completely different word. Even worse, he does not even list "compassionate mind" in the glossary, to point out that "compassionate mind" is his interpretive translation of "bodhicitta" (byang chub sems).

I am a firm believer in the doctrine of "translate the word, not your personal interpretation of the word". When translating words, one ought to translate the word itself, not your own fanciful interpretation. Otherwise it is not translation, it is original composition which is at best paraphrasing of the source text. Okay, you may say that this is not so, because the Tibetan translates "bodhi", enlightenment, as "byang chub", pure and total. However, there are two points: one, Tibetan did not have a word for "bodhi", enlightenment, so they came up with "byang chub". Second, when the India scriptures were first translated in the 8th century, all the translated words were standardised and set for the future across the entire canons. Therefore, for example, for all of Tibetan Buddhism, "bodhi" would be "byang chub", and "bodhicitta" "byang chub sems". However, in English translation it is nothing like that. There are no standardised translations. Every individual translator does his own individual thing. In short, "compassionate mind" is the wrong translation of "bodhicitta", in my opinion. Remember, of course, though, that English is not Rinpoche's first language. Still, the translation must be either "mind of enlightenment", "mind of awakening", or "pure and total mind". That is what the word is. The word is not "compassionate mind".

That is simply the wrong translation.

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Sabtu, 18 Oktober 2014

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  • Sales Rank: #8225300 in Books
  • Binding: Paperback

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  • Sales Rank: #5800953 in Books
  • Published on: 2010
  • Binding: Paperback

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The Glamour of Grammar: A Guide to the Magic and Mystery of Practical English, by Roy Peter Clark

Early in the history of English, the words "grammar" and "glamour" meant the same thing: the power to charm. Roy Peter Clark, author of Writing Tools, aims to put the glamour back in grammar with this fun, engaging alternative to stuffy instructionals. In this practical guide, readers will learn everything from the different parts of speech to why effective writers prefer concrete nouns and active verbs. THE GLAMOUR OF GRAMMAR gives readers all the tools they need to"live inside the language"--to take advantage of grammar to perfect their use of English, to instill meaning, and to charm through their writing. With this indispensable book, readers will come to see just how glamorous grammar can be.

  • Sales Rank: #321386 in Books
  • Published on: 2010-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.00" w x 5.75" l, .90 pounds
  • Binding: Hardcover
  • 304 pages

From Publishers Weekly
Grammar is a subject that typically induces wincing, wheezing, or worse. Clark, a lifelong whiz at the subject, wants readers to fully appreciate the importance of good grammar and the qualities of superior writing. To that end, he has laid out several entertaining, easy-to-follow rules, governing everything from punctuation to alliteration, that promise to dramatically improve one's writing and develop an appreciation for language. Clark draws on examples ranging from DeLillo to Rowling, a breadth of text that readers will appreciate as much as the author's humorous approach. Who knew that a discussion of grammar could induce laughter? This is an eminently readable, extremely enjoyable guide that readers will find highly useful on their path to development, not just as writers, but as readers.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Very much a manual for the 21st century...a welcome addition to the bookshelf of anyone who cares about language-and is willing to argue about it."―Ammon Shea, the New York Times Book Review

"A fine common-sense guide to the proper use of language."―Barbara Fisher, the Boston Globe

"An engaging and witty exploration of the shifting rules of English grammar...Clark shows breathtaking knowledge of how language is used in the real world and a passionate commitment to helping writers make good choices."―Chuck Leddy, Minneapolis Star Tribune

"[Roy Peter] Clark takes readers through a well-paced presentation...he conveys the magic that is to be found in English, in its ever active evolution."―Margaret Heilbrun, Library Journal

"Clark...has laid out several entertaining, easy-to-follow rules, governing everything from punctuation to alliteration, that promise to dramatically improve one's writing and develop an appreciation for language. Who knew that a discussion of grammar could induce laughter? This is an eminently readable, extremely enjoyable guide that readers will find highly useful on their path to development, not just as writers, but as readers."―Publishers Weekly

"What I learned from this book:

1) That grammar has meant mastery of all arts and letters (to the Greeks) and power, magic, and enchantment (to the Scots). Wow.

2) That for the artful writer, no decision is too small, including whether to use a or the. Awesome.

3) That there are right-branching, left-branching, and middle-branching sentences. How cool!

4) That Roy Peter Clark, a modern-day Pied Piper of grammar, makes good writing both approachable and doable. Phew!"―Constance Hale, author of Sin and Syntax

"Who, other than a word-lover like Roy Peter Clark, would dare link "glamour" with (ugh) "grammar"? Here it is--a book of enchantment about words and how words work and what they mean and how to spell them, where even lowly semicolons get appreciated as "swinging gates" in a sentence. Who'd a thunk a book on grammar could be fun? And humorous. Check out "cleave" and "cleaveage.""―Sister Helen Prejean, author of Dead Man Walking

"If grammar is medicine, then Roy Clark gives us the spoonful of sugar to help it go down. A wonderful tour through the labyrinth of language."―Anne Hull, Pulitzer Prize-winning reporter, The Washington Post

"If 'Euphemisms are unpleasant truths wearing diplomatic cologne,' as Quentin Crisp once said, then Ralph Keyes has given word and language lovers a deeply fragrant-and thoroughly enjoyable-book."―Dr. Mardy Grothe, author of Oxymoronica and other quotation anthologies

"If there is indeed a glamour to grammar, I should have known Roy Peter Clark would be the one to spot it. Clark is a trusty guide for anyone wanting to avoid the (many) pitfalls and scale the (hard-won) peaks of perpetrating prose."―Ben Yagoda, author of Memoir: A History and The Sound on the Page: Style and Voice in Writing

"Roy Peter Clark takes the language so seriously he dares to play with it. What other English professor would seriously write 'A good pun is its own reword.' The Glamour of Grammar is required fun, seriously."―Eugene C. Patterson, Pulitzer Prize-winning editor and retired chairman and CEO, St. Petersburg Times

"Roy Peter Clark, the Jedi master of writing coaches, has delivered another indispensable classic for every author, young and old. The Glamour of Grammar crackles with wit and wisdom and with page after page of rock-solid strategies to guide writers toward prose that sings with vivid clarity. Somehow, Clark makes grammar seem both playful and understandable, even for those who have trouble telling the difference between a dangling participle and a wandering antecedent."―Thomas French, author of Zoo Story

"An indispensible book in this Twitter world where so few words must push your story forward. Roy Peter Clark shows you a fun way to say exactly what you mean."―Bob Dotson, NBC News National Correspondent for the Today Show's "American Story with Bob Dotson"

About the Author
Roy Peter Clark is vice president and senior scholar at The Poynter Institute, one of the most prestigious schools for journalists in the world. He has taught writing at every level--to schoolchildren and Pulitzer Prize-winning authors--for more than thirty years, and has spoken about the writer's craft on The Oprah Winfrey Show, NPR, and The Today Show; at conferences from Singapore to Brazil; and at news organizations from the New York Times to The Sowetan in South Africa. A writer who teaches and a teacher who writes, he has authored or edited fifteen books about writing and journalism, including his most recent, Writing Tools. He lives in St. Petersburg, Florida.

Most helpful customer reviews

71 of 74 people found the following review helpful.
A must-read for anyone who wants to write
By Sheila Deeth
So, what do you think about when you hear the word "grammar"? As a kid, I would think "Uh oh; I guess I wrote something wrong again." As a young adult I'd say, "Hey, that's just the way I speak." As an Englishwoman moving to America I'd groan that it's not just the spellings that are different here but the grammar rules as well. And after reading this book I'd say, "Wow!"

So, what about my punctuation above? Why did I put that question mark outside the quotes when the exclamation point went inside at the end of the paragraph? I'd often wondered how to punctuate quotes, and since I want to be a writer, I'd often thought I really ought to learn. At last I have.

Clark's book starts by pointing out that "glamour" and "grammar" come from the same root. I guess is makes sense. After all, we "spell" words correctly or otherwise, and wizards cast "spells." Grammar's just the next step.

I used to teach chess, and I'd explain to the kids that there are two types of rules. Some have to be obeyed (pawns move forwards for example), or else you're not playing chess. Others are there to be understood and used judiciously (such as "Don't get your queen out too soon") to set or avoid falling into traps. Once you know the rules, you know what it means when they're broken.

Spelling's probably the first sort of rule, and Clark includes a chapter on how meanings can change where the wrong spelling or wrong word is used. Suddenly you're not saying what you thought; your reader's dragged out of the writing; you're not playing the same game. But other grammar rules can be judiciously broken. We just have to know what we're doing and why--be prepared for what the reader will see, and be ready to make sure it's what we intend.

Clark's chapters are written with delightful style, great voice, amazing examples, and just pure fun. (Yes, grammar can be fun!) There's advice for aspiring writers that any of us could use--the value of the well-chosen long or short word, the nuances of sound or foreign phrase, the alliteration of short and long sentences... And then there are chapter endings with quick and easily read "Keepsakes." There he might emphasize a point, help the reader practice a technique, or simply list the rules. (That's how I learned how to punctuate my first paragraph.)

Clark doesn't want to regiment our writing. He acknowledges how different countries (UK and US for example), industries (newspaper vs book), and even publishers have their own chosen styles. Obey the rules of your intended audience he says. But then he frees us to shift those chess pieces round and win the game.

Is grammar glamorous? It certainly is now. I love this book, and I'd recommend that everyone who loves reading or writing really should read it. I can hardly believe how lucky I was to get a copy to review--you'll hardly believe how lucky you are if you get your own copy too. And, just for reference, since Roy Peter Clark is vice president and senior scholar at the Poynter Institute, I have no qualms about trusting him to give me, and you, the right facts.

36 of 40 people found the following review helpful.
Roy Clark's Glamorous Grammar
By Donald K. Fry
Roy Clark's new book, The Glamour of Grammar, is none of the following:
* A treatise on grammar
* A guide to grammar and style
* Competition for Strunk and White
* A volume of snarling "do nots."
Roy loves words and wants you to love them too in ways that will help you as a writer. He burrows beneath English words to show you their deep roots and reverberations. The "Glamour" in his title refers to magic powers, both in historical origins and modern persuasiveness. This book will enrich what you hear and what you write.

18 of 19 people found the following review helpful.
Grammar is Awesome!
By Amazon Customer
Learn to lie or lay,
as well as the principles behind the distinction,
Turn a language problem into a language lesson: lie
means "recline" and lay means"to place"
But in Hawaii, expect a lei.
(from the back cover)

With a lesson like the one above, how could you possibly go wrong with this book. While I've always been incredibly interested in the English language, reading this book turns it from an interesting subject to a fascinating one. If you only buy one book to help you write better, this would be the one.

Some people are born writers. Others of us learn to write by reading how other people write, and by practice. This is a book to keep on your nightstand (if you use your laptop in bed like I do) or on your desk (if you're a "real" writer (LOL!)) as you're writing (or before you start). There are so many practical lessons to be learned. Clark didn't write a book that you're supposed to read from start to finish. You could literally open the book in the middle, find the beginning of a passage and start reading. You're going to learn a new technique (like using shorter sentences to stretch out the story). Or you could start at the beginning and read a mini lesson at a time. Either way, you're not going to want to put the book down. It's just that good.

Although it's like going to English class all over again, it's so much better. While Mrs. Brusnwick was one of my favorite teachers, class did get a little, umm, boring.To be fair, Mr. Harris really tried to teach me that advanced math stuff, but I wasn't smart enough then. I'll still not smart enough.

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Selasa, 23 September 2014

[J322.Ebook] PDF Download Taekwondo Poomsae: The Fighting Scrolls - Guiding Philosophy and Basic Applications, by Kingsley Umoh

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Taekwondo Poomsae: The Fighting Scrolls - Guiding Philosophy and Basic Applications, by Kingsley Umoh

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Taekwondo Poomsae: The Fighting Scrolls - Guiding Philosophy and Basic Applications, by Kingsley Umoh

This martial arts book digs deep into the standard Taekwondo patterns to extract proven fighting methods that unite ancient philosophy and strategy to teach effective, tactical self defence. The book follows the history of the Korean people, starting with the myths of its origins dating from 2333 BC, and its culture, focusing on the important historic influences of the surrounding nations. All of these have combined in the development and evolution of the Korean fighting art of Taekwondo. These ancient and deadly fighting techniques have survived over several millennia, ever since people first defended their lives and property from wild beasts and ravaging bands of criminals. The first part of the book shows simple techniques that have been refined using analysis gained by Koreans over the centuries. It is presented in a careful mix of physical exercises that are designed to develop spontaneous response from muscle memory in the event of an unavoidable attack. The second half introduces more advanced students of the martial arts to more complex fighting tactics and the profound philosophy taught to black belts, and is aimed at uniting body, mind, and spirit. (About the Author) Kingsley Umoh is a medical doctor in Jamaica who has had 31 years of Taekwondo training. "I grew up in Lagos, which is a large multicultural city and former capital of Nigeria. I am living at present in Jamaica, which is a smaller country but no less vibrant, and with an equally warm personality." Publisher's website: http://sbprabooks.com/KingsleyUmoh

  • Sales Rank: #3188121 in Books
  • Published on: 2014-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .57" w x 8.50" l, 1.40 pounds
  • Binding: Paperback
  • 272 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good Reads for Advanced TKD
By Amazon Customer
Very interesting review of Taekwondo Blackbelter Poomsae. Not enough discussion of Taegeuks.

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Minggu, 07 September 2014

[B676.Ebook] PDF Ebook Watermarks in Rembrandt's Prints, by Nancy Ash, Shelley Fletcher

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Watermarks in Rembrandt's Prints, by Nancy Ash, Shelley Fletcher

  • Sales Rank: #405846 in Books
  • Published on: 1998-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 3.50 pounds
  • Binding: Hardcover
  • 251 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
An interesting and important book . Focuses on the study of the watermarks in Rembrandt's etchings
By Dr
Currently my copy is lost somewhere between the bookshelves and my box of books to review, so my apologies for the introductory nature of my review.
I am no expert on Rembrandt's etchings. I do however have a number of books on the subject.
I do not however have the systematic catalogues that list and illustrate each etching in all it's states that is so necessary to make progress in the study of the etchings.
My interests lie with the Paintings and Drawings of Rembrandt.

Watermarks.
Watermarks have been known for well over 100 years, and are usually traces and illustrated at the back of important catalogues of Rembrant's Etchings and Drawings ( as for other artists )
So why the fuss?
Well, in the last 10-20 years people have started to apply standardised radiological techniques. This has lead to a much higher level of accuracy in determining watermarks.
Each watermark is handmade and although it may be of the same object, it's precise measurements will differ slightly. Also the paper is hand made and the lines of the mould may also show some variation.

Etchings
Etchings are small or large.
Each sheet of paper ( rather large ) will have only one watermark. Some have a simple counter mark on the other side.
If the etching is small their is only a small chance that the etching will contain the watermark or part of the watermark.
If the etching is one of Rembrandt's large etchings then it is more likely to contain the watermark.
Counter are less helpful.

Radiological Approaches.
One uses Low energy X-ray
Another Beta radiography
Occassionally electron microscopy is used.
The different techniques produce different results. Ie you cannot compare the result of a low energy radiography with a beta radiograph
For a useful explanation of these techniques seethe appendices in
"Fresh Woods and Pastures New 17th century Dutch Landscape Drawings from the Peck Collection."
These appendices are first rate and the clearest I have read so far.

WATERMARKS IN REMBRANDT PRINT'S
This is an exhibition of the long term project to examine most of Rembrandt's prints in North America for watermarks.Low energy radiography was used.
Examples of watermarks are shown
Many prints have no watermark and I cannot Rembrandt how many did.
I forget the conclusions- I wifi add these when the book is located.

Should you buy the book.
If you are interested in Rembrandt's etchings in American Collections then this book is likely to be foundational. It is possible that all the etchings will be redone using beta radiograph but I suspect not

******************************************************************************************

Where is Watermark Research going.
Without doubt Ernest Hinterding has has stimulated extensive new research.
His doctoral thesis (expensive) opened many eyes .
His catalogue of the Fritz Lugt collection (out of print and expensive if you can find a copy ) is a first class work.

For my money I would try and track down a copy of
"Rembrandt the Printmaker"
Erik Hinterding, Ger Luijten, Martin Royalton Kisch et al
British Museum and the Rijksmuseum
Published by the British Museum Press

0 of 0 people found the following review helpful.
Great book
By Louise
Thank you for sending the book promptly. It was in good condition and is a great addition to my library.

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