Sabtu, 28 Desember 2013

[L198.Ebook] Download Ancient Art And Ritual, by Jane Ellen Harrison

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Ancient Art And Ritual, by Jane Ellen Harrison


This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
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Ancient Art And Ritual

Jane Ellen Harrison

Henry Holt and Co., 1913


  • Published on: 2012-04-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .58" w x 7.44" l, 1.10 pounds
  • Binding: Paperback
  • 278 pages

From the Publisher
Kessinger Publishing reprints over 1,500 similar titles all available through Amazon.com.

About the Author
Jane Ellen Harrison (9 September 1850 – 15 April 1928) was a British classical scholar, linguist and feminist. Harrison is one of the founders, with Karl Kerenyi and Walter Burkert, of modern studies in Greek mythology. She applied 19th century archaeological discoveries to the interpretation of Greek religion in ways that have become standard. Contemporary classics scholar Mary Beard, Harrison's biographer, has described her as "in a way ... [Britain's] first female professional 'career academic'". Ellen Wordsworth Crofts, later second wife of Sir Francis Darwin was Jane Harrison's best friend from her student days at Newnham, and during the period from 1898 to her early death in 1903.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Ian Myles Slater on: Short Book, Large Concepts
By Ian M. Slater
"Ancient Art and Ritual" is a short, "popular" book by Jane Ellen Harrison (1850-1928), who was a classical scholar by training, and a student of anthropology (or sociology) when Frazer's "The Golden Bough" was still astonishing (or infuriating) classicists with its message that the customs and beliefs of "beastly heathen savages" might shed light on those of the Greeks and Romans. (Who were, of course, strictly speaking, "beastly heathens" themselves.... Not to mention some of their other customs.) On top of this, she pioneered the role of professional academic for women; separating the two aspects in some of the negative reactions to her work can be difficult.

Those curious about her now have a very good Wikipedia article to refer to, so I'll forgo a biographical sketch, and a lot of bibliographic detail on her publications. (This takes advantage of well-documented modern studies, Sandra J. Peacock's 1988 biography, "Jane Ellen Harrison: The Mask and the Self," and Mary Beard's 2000 "The Invention of Jane Harrison," Book 14 in the Harvard University Press "Revealing Antiquity" series, which supersede the biographical sketches available in earlier decades.)

Like many of her works, "Art and Ritual" is available as a free pdf from archive.org (a Library of Congress website); a few (including this one) are available in Kindle editions (based, in this case, on a Project Gutenberg text). There are also no less than four competing editions of "Ancient Art and Ritual" for NOOK Books (although I have not taken the time to compare them).

In "Ancient Art and Ritual," she used some of the insights (real or supposed) gained from her classical and anthropological studies to analyze the place of the arts in (despite the title), the "modern" world. (Mostly Britain, as it was just before the First World War.)

Her basic thesis (much simplified) is that art, including visual and dramatic art, and ritual ("religion") were once united, expressing and evoking strong personal and communal emotions through the mode of imitation; and that the modern world had severed the connection, to its own considerable loss. She notes that she could have written the book with reference to India, or Medieval Europe, but argues that the modern world -- or at least the educated part at which the book was aimed -- felt closer to the ancient Greeks, so that the contrast was clearer. (One may doubt the extent to which this is now a compelling argument, but it made sense at the time.)

If one takes her argument seriously, the temptation to apply it to, say, television, may be irresistible.

However, if asked to list Harrison's major works, I would restrict my selection to three connected books: "Prolegomena to the Study of Greek Religion," first published in 1903, with various re-printings containing additional technical notes and some revisions of her views on particular issues; "Themis, a study of the social origins of Greek religion" ("With an excursus on the ritual forms preserved in Greek tragedy by Gilbert Murray and a chapter on the origin of the Olympic games by F.M. Cornford"), in 1912; and "Epilogomena to the Study of Greek Religion," published in 1921 (by which time she was cutting her connections to classical studies in favor of other interests, like Russian literature.)

The first two volumes are massive studies, of which the first was the most successful with fellow-classicists in her own time. ("Themis" had to wait to the later twentieth century for belated recognition). "Epilogomena" is very short, and can't stand alone, being mostly limited to "reconsiderations" of (mainly) theoretical issues, but it is well worth reading. In these volumes, she attempted to go past the "barrier" erected by Homer and Athenian Tragedy, with their Olympian deities, and find the "real" roots of Greek ritual actions and religious feeling, particularly concerns for subsistence. In her view (shared by the so-called "Cambridge School"), it was the ritual which gave rise to the mythology, and the concepts of the gods, and not the other way around. Whether or not once comes away convinced, the argument is extremely interesting. "Prolegomena" in particular is packed with reflections on the "Lower Mythology" (daemons, and various types of local spirits, benevolent or malicious) usually ignored -- or deplored -- in older treatments of "Greek Religion."

"Ancient Art and Ritual" (1913; corrected edition with some new bibliography, 1948) is something of a satellite to "Prolegomena" and "Themis," without the illustrations from ancient art, the edited Greek texts, and the careful documentation. It was originally published in the "Home University Library of Modern Knowledge," issued by Williams and Norgate (UK) and Henry Holt and Co. (US), in a volume roughly the size of mass-market paperback.

So far as I know, "Ancient Art and Ritual," despite a fair number of reprintings, had little impact; the classicist who might have been most impressed by it, Gilbert Murray, was its editor. However, in 1926, one of Harrison's close friends, Hope Mirrlees (1887-1978; again, see her own Wikipedia article for details), published a fantasy novel, "Lud-in-the-Mist," with an epigraph by Harrison. The book, currently available in a very nice Kindle edition (besides out-of-print paperbacks) has a number of (mostly favorable) reviews on Amazon. From my perspective, the ideas about society, art, and religion embodied in the novel are in part a reflection on "Ancient Art and Ritual."

6 of 6 people found the following review helpful.
A Lasting Classic by a Lasting Scholar
By Maggy A. Anthony
Jane Ellen Harrison was one of the great classical scholars of her time, at a time when women were scarce in academia. She had the respect of other scholars in her field too and was an inspiration to the next generations.
She was far ahead of her time as a multi-disciplinarian bringing all her knowledge in various fields to bear in her works. This book is seminal for the ritual and art of ancient times.

5 of 5 people found the following review helpful.
Art & Emotion Go Hand in Hand!
By Lynn M.
This book is a scholarly read and Jane Harrison shows how man has always dealt with rituals to celebrate new life or some rite of passage. He could be seen enraptured in a dance or a song as he asks the gods to show mercy for rain, a healing or for food. She shows how these ancient rituals evolved into art forms such as choral readings, dance forms and even drama itself. Also, Greek sculpture was developed as a demure way to give homage to the gods.
The one common thread behind all of the art forms was high emotional energy because the needs were so great. She then moves towards the premise that art is borne out of emotion and when man has a dire need, he becomes active and participatory.
She then shifts to the artist himself and says he speaks when he is vexed or his feelings are deeply stirred. It is the artist’s duty to transfer those feelings into some medium and this expression will eventually be seen as a spoken truth whether done through writing, painting or drama. The artist normally has a keener emotion and though often perceived as somewhat removed or aloof from practical life, it is his responsibility to tell what he sees and feels.

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Kamis, 12 Desember 2013

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Slave Songs and the Birth of African American Poetry, by L. Ramey

This book restores the slaves' songs to their rightful place in American literature for their intrinsic value as lyric poetry, and as a touchstone of the American imagination.

  • Sales Rank: #4588867 in Books
  • Brand: Brand: Palgrave Macmillan
  • Published on: 2008-01-15
  • Released on: 2008-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 5.50" l, .74 pounds
  • Binding: Hardcover
  • 197 pages
Features
  • Used Book in Good Condition

Review

"A final quintet of publications attests to interest in the lasting effects of 19th-century culture and ideas. Lauri Ramey, Slave Songs and the Birth of African American Poetry (Palgrave), presents a valuable study of the formal and thematic characteristics of slave songs, most of which were collected and published in the latter half of the century. Ramey explains how they have been marginalized in the disciplinary study of folklore, religion, and music while also making a strong case for reading them as poetry, as literary texts worthy of inclusion in the canon. In a series of thematically and topically arranged chapters, she demonstrates their influence on Paul Laurence Dunbar and on a wide array of later poets." - American Literary Scholarship"The corpus of slave songs is enormous, and their impact on African American literature has long been acknowledged. But little has been written about the connection between these songs and American literature. Slave songs are usually marginalized in, or omitted altogether from, literary anthologies and studies of verse. Even classic, if now dated, works examining the songs - including Lawrence Levine's Black Culture and Black Consciousness (CH, Jul'77) and Dena Epstein's Sinful Tunes and Spirituals (CH, Sep'78) - fail to discuss the poetic aspects of the songs. Ramey (CSU, Los Angeles) attempts to fill this glaring void with this erudite yet readable volume. The author provides provocative analyses of some of the individual songs (e.g., "Poor Pilgrim" and "Steal Away"). More importantly, she sheds light on their originality and their African roots, including the call-and-response tradition. In so doing, she makes a strong argument for studying these important pieces in light of their lyric poetic qualities. This is a book for all who are interested in African American literature and in poetry more broadly." - Choice

"Ramey argues that spirituals and slave songs are central to the literary legacy of the U.S., both in their own right as a form that goes to the heart of the American experience and as a major reference of the American imagination, through their influence on black and white writers alike. This book restores the spiritual to its rightful place in the American literary canon and will certainly stimulate scholarly interest in the spiritual as art form." - F. Abiola Irele, Harvard University

From the Back Cover
In spite of the unique beauty and universal appeal of African American spirituals, they are rarely considered to be lyric poetry. In the first major study, this book attests that the spirituals deserve a central place in the African American and American poetry canon as one of a foundational and distinctive body of lyric expression. Ramey restores the slave songs to their rightful place in literary tradition for their intrinsic value as poetry, and as a touchstone of the American imagination.

About the Author
LAURI RAMEY is Director of the Center for Contemporary Poetry and Poetics, and is�Professor of African American Literature and Culture and Creative Writing, at California State University, Los Angeles, USA.

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Selasa, 10 Desember 2013

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Charlotte has spent years as the husband maker, sending every guy she dates off to enjoy marital bliss with the next girl he dates. But things have now changed, and she's determined to use her husband-maker abilities one last time - on herself. And she finally knows exactly who she wants.

Angus has loved Charlotte since they were teenagers, but he's tired of waiting for her to realize how good they could be. She's broken his heart one too many times, and it's time to move on with his life. Maybe a position halfway across the country will be just what he needs to get over her. But when Charlotte won't let him go without a fight, Angus has to decide if he's willing to let her in again or if she's too late.

  • Sales Rank: #83726 in Audible
  • Published on: 2015-04-09
  • Format: Unabridged
  • Original language: English
  • Running time: 302 minutes

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8 of 8 people found the following review helpful.
I have loved this series
By Super Syl
I have loved this series!! I was so excited for the next book to come out. As I read the story I loved the direction the author was taking, and then the book ended. I was so disappointed that after 3 books all the reader got was an epilogue of couple actually together, no wedding or courtship. I felt like chapters are missing. The cover of the book is a picture of a wedding yet we don't get any information about the wedding just that it took place. I still like the story but if your going to take 3 books to bring a couple together I would hope it would not end so abruptly.

1 of 1 people found the following review helpful.
PLEASE KEEP WRITING, KAREY WHITE!
By Louise Pledge
I love Karey White's books and could hardly put this one down, wondering how long it would take Angus to come to his senses :) I want to quote the advice that his mom and dad gave him, but I'm afraid it would give away a little of the ending.

So cool to read a "clean book" that has a fun plot, besides!

3 of 3 people found the following review helpful.
What a Perfect Conclusion!
By i blog 4 books
When I first heard the premise for The Husband Maker series, I knew this could be a huge hit. After reading all three books, I can say with certainty that I was right!

The Wife Maker is the third installment in this unique series. (The books definitely need to be read in order!) After getting to know Charlotte in the first two books and being heartbroken (twice!), I came into this book needing (!!!) Charlotte to get her happy ending. I knew based on the title that surely it would happen, but Karey White doesn't just give it to us. No, Charlotte (and the readers) certainly had to work for it.

Based on where the previous two books took us, I wasn't sure that there would be sufficient tension to really warrant a third installment. Let me assure you, I was wrong on that note. The Wife Maker was equal parts drama and romance, and I was anxious to see exactly how everything would end.

I've been thoroughly impressed with this entire series, and The Wife Maker is the perfect conclusion. I can't wait to see what Karey White has up her sleeve next! [5 stars]

I received a free copy of this book from the author in exchange for my fair and honest review.

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Minggu, 01 Desember 2013

[I492.Ebook] Free Ebook On Free Choice of the Will (Hackett Classics), by Saint Augustine of Hippo, Thomas Williams

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On Free Choice of the Will (Hackett Classics), by Saint Augustine of Hippo, Thomas Williams

Translated with an uncanny sense for the overall point of Augustine's doctrine. In short, a very good translation. The Introduction is admirably clear.--Paul Vincent Spade, Indiana University

  • Sales Rank: #108772 in Books
  • Brand: Brand: Hackett Pub Co
  • Published on: 1993-10-01
  • Original language: Latin
  • Number of items: 1
  • Dimensions: 8.75" h x 5.50" w x .50" l, .30 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Great product!

Review
"Translated with an uncanny sense for the overall point of Augustine's doctrine. In short, a very good translation. The Introduction is admirably clear." --Paul Vincent Spade, Indiana University.

Language Notes
Text: English (translation)
Original Language: Latin

From the Publisher
Library of Liberal Arts title.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Smokey Joe C
Wonderful!

54 of 55 people found the following review helpful.
excellent text for considering the impact of Christianity on Platonism and vice-versa
By Nate
If you were looking for a significant and representative but introductory level medieval Christian philosophy text, you would be hard pressed to find one better than this. When I teach intro to philosophy, I often choose representative texts from the ancient, medieval, early Modern, and roughly contemporary periods. I start with Plato, either the Apology or the Meno or both. Then we read this book. Then Descartes' Meditations. Finally, we read something from Nietzsche, de Beauvoir, or from an early American philosopher (e.g. Thoreau).

This book is an excellent part of the sequence because it introduces free will, and introduces it in a way that is very relevant to Descartes' discussion of will in connection with error. Plato (and the ancients generally) didn't really have a notion of the will: our choices are dictated by our level of understanding. Augustine understood that the Christian notion of sin entails something more radical than mere ignorance -- I must, he thought, be in some real way capable of unmotivated choice if I am to be blamed for my actions.

There are other great bits in this dialogue -- one that it IS a dialogue and so forms a nice segway from Plato's dialogues. Another is its articulation of a proof of existence that prefigures Descartes' cogito and a proof of God that is remarkably similar (though very different in intent) to Descartes' first proof in the meditations.

29 of 30 people found the following review helpful.
An Interesting Start
By Alexander W. Jech
This is one of Augustine's early writings, from soon after his conversion. It records a conversation between himself and Evodius regarding free will. ... Augustine had very little access to Plato, and at this point in his life, probably nothing not quoted by another source. The dialogue is in fact based upon a real conversation, and not just a literary creation (a result of the philosophical community that Augustine lived in for some time after his conversion). However, Augustine edited it and added material (most of Bk. III) before publishing it.
The main things I thought a reader ought to note when reading this short work are (1) This is still the beginning of work on the will - it was not a major issue in philosophy until Augustine, although bits and pieces may be found, e.g. in Cicero; (2) Augustine's style is quite different from what most people are used to, especially since this is a record of an actual conversation; (3) the problem of evil for Augustine is of a different nature then that promulgated in modern times; (4) the only two people who had a paradigmatically free will were Adam and Eve - everyone else has a less than free will and requires God's grace to will effectively, even when they wish to do good.
It is an interesting work but still represents the early thought of Augustine. Those without a Neoplatonic background will find some of its arguments strange. There is no good introduction to Augustine - in my experience, you have to read a great deal of him in order to understand the typical way he thinks and the concepts he relies upon implicitly. Some Plotinus is probably useful.

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