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Asleep, by Banana Yoshimoto
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The New York Daily News has called Asleep "enchanting, surreal…Yoshimoto brings readers to another powerful, atmospheric place". Demonstrating again the artful simplicity and depth of her vision, Banana Yoshimoto reestablishes her place as a writer of international stature in a book that may be her most delightful since Kitchen.
In Asleep, Yoshimoto spins the stories of three young women bewitched into a spiritual sleep. One, mourning for a lost lover, finds herself sleepwalking at night. Another, who has embarked on a relationship with a man whose wife is in a coma, finds herself suddenly unable to stay awake. A third finds her sleep haunted by a woman against whom she was once pitted in a love triangle.
Sly and mystical as a ghost story, with a touch of Kafkaesque surrealism, Asleep is an enchanting book from one of the best writers in contemporary international fiction.
- Published on: 2017-03-07
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 5 Hours
- Binding: MP3 CD
From Publishers Weekly
Writing in her customary spare yet luminous style, Yoshimoto's latest work consists of three short novellas set in nameless contemporary Japanese cities, each one narrated by a young Japanese woman who has been frozen into a temporary literal or psychic sleep as a result of trauma. Although we meet each woman during a hiatus in her life, these periods are not tragic or ominous, but merely pauses for recovery; part of the charm of the book is the characters' lack of fuss or self-importance. Although each is sufferingAone in mourning for her beloved brother's death, one fragile at the end of a painful affair and one deeply involved with a man whose wife is in a comaAeach woman sees herself as an incidental or supporting character, in refreshing contrast to Western self-involvement. The characters' poise means that they calmly accept dreamlike or supernatural events. It feels utterly right and logical when Shibami meets her lost brother in a strange encounter with his son; when Fumi, with the help of a midget psychic, makes contact with Haru, the woman she had so bitterly resented when they shared the same abusive lover; or when Terako begins to share the deep sleep of her lover's comatose wife. These women share a kind of observant detachment, creating a deceptively casual style; while one does not particularly notice the language, words are used as in a haiku, with as much emphasis on the silences between them as on the space they take up. Especially appealing are the relationships between the cool but very likable female characters. At the core of each novella are two deeply attuned young women, and part of the discovery in each story has to do with the narrator's realization of the importance of this female connection. (June)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Sleep, love, and death serve as the central themes for each of the three short stories in Yoshimoto's (Amrita) latest work. Yoshimoto narrates each piece from the perspective of a strong, central female protagonist. In "Night and Night's Travelers," Shibami tells the story of her sleepwalking cousin, Mari, who is mourning the death of her lover (Shibami's brother, Yoshihiro). In "Voyage to the House of Sleep," Fumi describes her difficulties with Haru, a woman with whom she had once shared a male lover who, although now deceased, haunts her in her sleep. And, in the title work, readers meet Terako, a woman with an unusual penchant for sleep, who must deal with the recent death of her best friend, Shiori, while at the same time struggling with her trying relationship with her boyfriend (a married man whose wife is in a coma). The writing is introspective and, although simple, extremely thought-provoking as Yoshimoto takes her readers on a journey in search of absolution for each of her characters. Followers of Yoshimoto's work will want to read this one. A good selection for academic libraries as well as Asian fiction collections in larger public libraries.
---Shirley N. Quan, Orange Cty. P.L., Santa Ana, CA
Copyright 2000 Reed Business Information, Inc.
From Kirkus Reviews
Three intense, otherworldly novellas, each about a young woman for whom sleep is not a state of rest but an indication of spiritual malaise: the latest from Japan's ever-popular Yoshimoto (Amrita, 1997, etc.).In the first, Night and Night's Travelers, college-aged Shibami still reels from the accidental death of her older brother Yoshihiro, but her pain seems pale in comparison to that of her cousin Mari, who was Yoshihiro's lover and confidante. Wholly incapacitated by his death, Mari moved into Shibami's house and Yoshihiro's room, becoming a part of his family for nearly a year until her grief subsided. When she appears outside Shibami's window one snowy night, however, barefoot and wraithlike, the time has come for the truth about Yoshihiro's other girlfriend, the American Sarah, with whom he moved to Boston and without whom he returned to Japan. Voyage to the House of Sleep charts a different course through grief as a hard-drinking woman, before she plunges into sleep, hears eerie music--sounds that her boyfriend identifies as a call from the dead. Sure enough, a woman the drinker once knew as a rival for the affections of another man has died--drunk herself to death, in fact--and, with the help of her boyfriend and a midget medium, the two women make contact, if only to explain that although they treated each other abominably, they were also friends and could have been more than just that. The title story features a woman who sleeps more and more in an effort to escape from joblessness, the death of her closest friend, and the fact that her boyfriend's wife is in a coma, unlikely to awaken. Only a dreamlike encounter with that wife, who tells her to go out and get a job, frees her from her lethargy and allows her to resume a normal life.Astute, darkly atmospheric, and charged with the uncanny: Yoshimoto's best in quite a while. -- Copyright � 2000 Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
11 of 11 people found the following review helpful.
another winner from a unique writer
By A Customer
yoshimoto banana has a way of looking at the world through literature that is unique of any other in the world. She tells as it is and reflects upon any emotion the character may be feeling. In this way, just as our memories are a constant stream of events, Yoshimoto's characters are free to reflect, to dwell on things, and to suddenly remember something. She isn't afraid to mention things again or to say something that you don't see coming. Her endings are very true to life as well. She's not afraid of tragedy and her characters show this. Asleep is an incredible and VERY REAL book. Another winner for Yoshimoto. I liked ASLEEP best of the three novellas. Her characters seem so complete as to have such complicated pasts. Pick it up today for something truly unique.
10 of 11 people found the following review helpful.
Somnambulism
By Zack Davisson
Slumber, Drunkenness, Death and Love are the topics explored in Banana Yoshimoto's "Asleep." As with "Kitchen," there are three novellas linked thematically but not by characters or plot. Three women, all in love with someone emotionally of physically dead, all troubled sleepers, all drinkers, try to find rest and quietude that is not found in sleep. Each aspect is a metaphor for the unconscious, where perhaps the answers lie. For in this sleep of death, who know what dreams may come? Girlfriend in a coma, I know, I know it's really serious. Drink, don't think. Seeking answers, the women look to their friends, their family, magical dwarfs or anyone who can help.
"Asleep" is told in Yoshimoto style, like a story overheard with half-open eyes while drifting off to sleep. It is semi-magical and dreamy, but still in touch with the real world. The pacing, the narrative are all influenced by classical Japanese literature. Her writing is very gentle, very feminine. And poetic.
An enjoyable, lazy book. Good for seekers of love and those who cannot sleep at night.
32 of 41 people found the following review helpful.
Where is my mind?
By peter wild
Okay so. I'm on a train, I'm on a bus, I'm on a plane. I'm in transit. For "transit" read that time that exists outside of time. The time between times. I'm neither in one place or another. I'm between zones. Transit is the perfect place for Banana Yoshimoto, because I can't quite make up my mind about her.
I liked "Kitchen" and I hated "Amrita". Just so you know where I'm coming from. I thought "Kitchen" was intriguing in a Douglas Coupland-y way. I thought "Amrita" was dull dull dull. "Amrita" was one of those books you read where you spend half the time checking how much you've read (am I half way yet? am I half way yet? does this book go on forever? you get the message).
It could be a translation thing. What was it Shelley said about translation? Something about how translation is like putting a violet in a crucible? Something like that.
"Asleep" is funny. Not funny haha. Funny peculiar.
Three shortish stories making up one shortish book. Each story has its own characters. None of the characters from one story decamp to another. Yet, there is a sense that you tread similar ground three times here. There are dead people at the heart of the book. Dead brothers. Dead lovers. Dead friends. Dead rivals. Living people mistaken for ghosts. Mourning girls who walk through snow without noticing the cold.
It's kind of half "Kitchen" and half "Amrita". Parts of it are intriguing - in that parts of it suggest there is more at work here than the casual unfolding of ordinary lives - and parts of it feel bad. Parts of it feel badly written. Or badly translated. Hard to tell. Certain passages read like excerpts from a teenager's diary or a New Age self-help book.
"Asleep" is like some weird kind of textual anemone : it draws you in, it knocks you back. You want to praise the fragility of the emotion, you want to curse the blandness of the thoughts.
You get the impression that Banana enjoys dreams, the significance of dreams, the roles that dreams play in life and sleep. This is true in "Kitchen" and "Amrita" too. Banana appears to enjoy using dreams as a function. Dreams tell you as much about Banana Yoshimoto's characters as suits and ties do in HG Wells.
There is contrivance here. Elaborate contrivance for little or no effect. At one point - in the story "Asleep" - a character visits a dwarf medium ("Twin Peaks" anyone?) to lay nagging doubts to rest. The doubts are eased. And that's that. It is as if you have been presented with an enormous velvet firework only to find the gunpowder is damp.
There is no centre here. "Asleep" lacks heart or head or a combination of the two. Something.
It's like the time spent in transit I mentioned right at the start : you don't quite know where you are at any given time and you don't quite remember what you passed through when you arrive at your destination. You only wish you could have passed the journey in a more satisfactory way.
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